The frightening ease with which I can become an extremist...

Posted by csdferwEHRTJR Minggu, 12 Juni 2011 0 komentar
I'm preparing to defend my PhD thesis on Thursday, and reviewing my arguments. There's always some fundamental level of an argument which rests on values which are hard-wired into my identity, and defending those arguments (more than others) can lead me into a state of raised passion. At that point, there is always the risk that I become an extremist.

My fundamental argument rests on the nature of causality and effective methodology. I've got this from Bhaskar, and I still think it's broadly defensible. But defending it can sometimes lead to deep and impenetrable philosophical argument that ends up as existing for its own sake (or the sake of preserving my identity) than working towards any deeper understanding of the matters in hand. Critical Realists (and I consider myself one to a point) and Radical Constructivists (which I don't think I am) are notoriously bad on this, and I suspect it's because what they really have is not an argument but a religion which is embedded in their identity.

There's nothing wrong with having a religion. But I think it's important to recognise that that's what it is. This is why I think the remedy to avoid extremism is self-revealing through skilful teaching and positioning of others. The more open I am about what these ideas do for me, the more I can invite others to inspect my testimony as a way of their coming to an understanding themselves (and of themselves).

It is to turn my testimony into an invitation for a learning activity of engagement. It has a peculiar feeling for me. Giving up the need to defend identity and merely state it has a visceral effect - a relaxing of the stomach muscles, a greater sense of mental focus, awareness of the heart. Actually, I think the heart really is at the heart of it...

I'll always turn to what poets, musicians and novelists say about the world. The best of them speak from the heart, and speak what they know to be true. There is clearly a disconnect between what rational argument can represent and what artistic expression can reveal. The extent to which that disconnect is predicated on the methodological assumptions about the way the world is is what interests me - "causes are real, not constructs!" I will argue.. But whilst I might want to say "you've got it all wrong - the world isn't like that!", I know that I mustn't - that is the point at which we turn into extremists.

We may all have got it all wrong, but we wouldn't be the first! One of the fundamental aspects where social scientists and artists differ is that whilst social science might (now) talk about 'emergence', artists always reveal their understanding of 'eternal recurrence'. That I find particularly interesting.

Somehow, we haven't yet been able to look at the recurrent patterns in emergent phenomena and say "We have seen this before... maybe the world ticks like this!"


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Statistics in Social Science and Causal Reality

Posted by csdferwEHRTJR Sabtu, 11 Juni 2011 0 komentar
The issue over the nature of causes is all about the defensibility of explanations. Statistics in social science help to establish regularity in observations. By doing this, it is hoped that social science can be seen to be compatible with successionist causal theory (Humean theory) that was so effective in physical science. Hume's assertion that causes were constructed in the light of observation of regular successions of events seems reasonable in physical science, but in the open system of social science, it was always problematic. So statistics comes to the rescue!

But this is problematic for a number of reasons. Firstly, following Kuhn, the closed system of physical science wasn't that closed: the scientific community, ideas of other scientists, instruments, etc all played a role in the construction of causes, so that the regularity that was observed was tensed and situated in a social situation which was not accounted for in the construction of a theory. In short, 'my head' was not just 'my head' - it was mine and the heads of others in history, the ideas of the time, the ideas that influenced the design of instruments, and so on. What we judged we judged together, but assumed it to be individual judgement that was reproduced in the light of phenomena, and therefore those judgements were defensible on the basis that they were agreed. But at the deep ecological, historical, political and psychological level, their agreement was just another level of 'something going on'.

Then there's the issue of what scientific explanations seem to do. Whilst they were concocted in closed system experiments, they had explanatory power in open systems too: things work in the world as well as in the laboratory. What does that tell us? Possibly that whatever was imputed to exist through experiment and construction of causes actually did exist in reality independently of any construction of causes. Therefore something must be happening which is outside peoples' heads and which somehow we have managed to grasp hold of.

In social science, the same is true: things happen in the world, and deep down, artists and poets know what it is. Social scientists are less confident to express what it is, and so they turn to statistics. What does statistics do? Statistics supposes that for a science of society to be possible, regularities of observation must be possible, so it finds a way of producing regularities in an open system.

The central question is "does the possibility of a social science depend on regularities?". I think the answer is no. The possibility of social science depends on explanatory power, and that depends on understanding the nature of explanation and understanding. In physical science, mechanisms are likely to exist outside the close-system experiment. Similarly, in social science, mechanisms are likely to exist beyond any local regularity or statistic. The challenge is "how can we come to rational and defensible knowledge about it?"

Each thing that happens tells us something about what's going on. This is probably what scientists really do - they are like detectives, piecing together clues and constructing possible ways in which those clues might be connected. The thing that they're describing is however a real thing, and they're making guesses as to how it might work. Social scientists are the same, but the mechanisms are more complicated, and they are always part of them (in fact so are the physical scientists!). But with enough evidence, and enough creativity in postulating what might be going, a science of society is no less possible than physics.


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Connotation and causation

Posted by csdferwEHRTJR Rabu, 08 Juni 2011 0 komentar
I've been reading Ian McGilchrist's book "the master and his emissary". I found it fascinating, but it left me wondering "where's the politics? Why isn't it there?" Yes, I'm sure the 'hemisphere thing' is really important, but to me the question is not about the evolutionary/environmental causes of different mental balances (although fascinating), but simply about asking people: "what sort of a world do you want to live in?"

McGilchrist doesn't really talk about causation and Hume. Descartes gets the usual drubbing (poor Descartes - I want to rehabilitate him) but Hume's view on causation receives little attention. McGilchrist's argument is that the relationship between emotion and reason is poorly understood. He re-echoes Heideggarian themes of the need for 'dwelling' thinking - poetic thinking, and argues against Damasio that emotion is not a servant of reason, but reason is a servant of emotion.

It's very scholarly and I learnt a lot. However, for me it doesn't deliver the 'killer blow' that would make me really sit up and think. It probably falls into the trap it describes so well. If metaphor (for which I think McGilchrist means 'connotation') is the thing, and metaphor is a right-brain thing, how is the balance between connotation and denotation causal in the things which happen to us - in wars, famine, divorce, and schizophrenia? Basically he seems to lay the blame for the ills of the world on poor connections between 'left brain' - the logical rational bit and right brain. But his model of causation is Humean.

To my mind, the real argument is that the brain (whichever hemisphere) doesn't cause anything on its own: it is part of a mechanism which is biological, psychological and social all at once. Reducing it to hemispheres doesn't reveal the full picture for me. And for me, Humean causation can't account for this because the mechanism is ecological. To understand the causation of connotation, you need a connotative metaphor of causation, and essentially that is what Aristotelian causality is.

Dealing with the ills of the world requires rethinking our metaphors and dealing with the balance between our sensual experience and our rationality. It means changing peoples' minds. But changing someone's mind isn't easy, as any teacher will tell you. I think it requires skilful positioning. And that requires an understanding of how connotation (perhaps the poetry of teaching) causal.... And that requires an understanding of how cognition works.... And that requires an understanding of causal relationships between brain and environment.

In that sense it's more than some balance between left and right hemispheres. It is what the two hemispheres do to our bodies and to the world, and what the world in turn does to us.

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The constitution of Identity

Posted by csdferwEHRTJR Senin, 06 Juni 2011 0 komentar
What is it to be me? Is my me-ness in my head? Is my me-ness in my environment? If it's both, how do they relate? What is 'mine' about my life? My head? My little finger?

What about "my phone"? computer? blog? tweet? (etc...) For some of these things (like my blog) I might say "I did it, therefore it is mine". There are a number of things to say about this in particular. Firstly, it clearly is related to the issue of 'intellectual property'. Secondly, it clearly is an example of Locke's 'labour mixing' theory of property. To that, we might ask whether the labour-mixing theory is really any good as a theory of property - and, personally, I find it rather unsatisfactory.

Rather than labour mixing, I think my-ness (property) is constituted by sensual relations with things around us and communications with others. What is 'mine' is that in the environment which serves a purpose in the sensual relationship I have with it, to contribute to the mechanism of my personal viability. Seeing property like this means that we can begin to appreciate how the changes we are experiencing in the world are impacting on our human nature - on our very sense of 'identity'.

If individual identity is constituted by 'property relations' then this means that the manipulations of capital and matter are manipulations of personal identity. And identity is probably the most significant causal factor in conflict, as Armatya Sen has recently highlighted. The evidence for identity being constituted by sensual 'property relations' I think is compelling. Only this perspective allows us to consider the impact of grief on the death of a loved one: "part of me died..". And even the 'first scratch on the new car' can instil feelings of 'incompleteness' and regret in our identity. Justice and crime also relate to these feelings of identity: to have property stolen is felt as an affront to identity. And as Erich Fromm has pointed out, individuals have property relations to ideas too. And, again, when our cherished ideas are challenged, we similarly feel an assault on who we are.

Moreover, I think that such transient insecurities of identity lie at the heart of economic processes. Property relations pass from one thing to another: the mobile phone gradually gets battered and the battery fails; a new 'compensatory' product appears and we re-establish our identity with that, discarding what we had before.

Education may be a process of building identity. As parents, we begin by encouraging our children to be more independent: from being in the playground and helping our child see if "you can come down the slide on your own" to trusting children to go to the shops on their own, much of our parenting would appear to be a process of scaffolding the establishment of property relations with the world. In higher education, I think this process continues, but it is not the slide in the playground, but the sensual relations with the great and the good, the works of art, the canon, the library. In this sense, even skills become sensual relations, like the hard-won technique of the artist or musician.

But what I don't think is that any of this actually 'exists' in individual brains. I suspect instead that the brain regulates a 'game' that is played with those things with which we have sensual property relations. But that isn't my idea. I think Kant got there first in the Critique of Judgement...

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for my b'day all i wanted was to go be a tourist in charleston.  warren and i went and spent a night downtown in a beautiful hotel, ate yummy food, and had some celebratory glasses of wine.  but my favorite part was saturday- walking down king street, going to the farmers market, eating brunch and hopping in the ocean at sullivan's.  it was so much fun that i have decided that is how i want to spend all of my b'days from here on out!!
*UPDATE: when we were at the farmer's market there was the cutest girl selling these woodblock prints and she just happened to have one turquoise hanging swing like the one i just hung on my porch.  i thought i would never find her card but i got something better, an email from her!!  yippee- go check out stacey's site- perlaAnne...great prices, super cute prints (i bought 3 b/c i couldn't make up my mind), and check out the background in some of her prints- i spy angie hranowsky's house!!

*images courtesy of you are my fav, architectural digest/quadrille, suzie b, me

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Human analogue nature and Depth Psychology

Posted by csdferwEHRTJR Kamis, 02 Juni 2011 0 komentar
It's worth stating why my interest in depth psychology has been re-awakened (after having rejected Jung particularly as 'obscurantist' many years ago; Freud I still find fascinating because I think sex does seem to be behind most things...). It really derives from the fact that we are not digital; we are not on-off: we are analogue, and more than that the world caresses us with it's phenomena: that means that perception is a wave-like 'motion towards something'. What that 'motion towards' is actually towards is an interesting question, but I think it's something 'big': Bataille might say 'death', and I am attracted by that idea. Perhaps in 'death' Jung would identify the 'shadow', or Freud the libido. All of these are possibilities.

The technical problem is 'pinpointing the wave': what is it's cycle? how does it oscillate? How does it progress? Is it purely driven by internal forces, or do external forces (the material world) play a role in its progress? As with all my thinking about this topic, music illustrates spectacularly. The caressing short phrases of Webern (in the piano variations, for example), are one type of wave expression: short, distinct; the overlapping phrases of a Bach fugue have a collectively different effect. Larger musical forms have a technical architecture which is clearly delineated into 'movements' (interesting word!) of different characters (for example, Beethoven's late work - say piano sonata op. 110). One might be tempted to say these are almost archetypal. There appear to be moments of 'character' at all levels... "When I first looked into her eyes, I felt a rush of emotion gradually giving way to a realisation that..."

I'm most attracted by Jung because I can see the archetypes in the larger-scale structures of art, literature and music. This also takes me back to my degree-level studies in the music of the Jungian Michael Tippett. Is it that Jung gave greater definition to the dialectic of Freud's Id? Yet maybe Freud has something when he talks about repression, and the dialectical consequences of that. The dialectic that arises from psychological repression is also a way of making distinctions about 'the wave' - diachronic distinctions. It is also what Roy Bhaskar is trying to do with 'absence' and dialectic.

This is best played with in a modelling environment. However, the criteria for any explanatory power here would have to be the match between emergent outcomes in a model and emergent outcomes in the world. Clearly, we all have a subconscious. None of us quite know how it works, but it would appear to play a key role in making each of us different from one another.



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i couldn't agree more audrey.....
in fact, i think i need that print in my house :)

*images courtesy of elissa hudson etsy, society 6, living inside/lisa cohen, 6th street design, style beat, shop gramercy

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